Overall,\u00a071 percent<\/a>\u00a0of consumers prefer brands that align with their values and beliefs. In comparison, 82 percent of millennials, which is arguably the target audience for Mulan, “stresses the importance of value alignment.” The remake of the ancient ballad failed to align and even contradicted people’s ideals.<\/p>\n First off, the star of the movie Lui Yifei shared, “I support the Hong Kong police, you all can beat me up now,” on Weibo, a popular Chinese social media platform. Many in Hong Kong saw Yifei’s actions as support for police brutality in the region and support for the Chinese government, which passed an\u00a0\u00a0last year that sparked the\u00a0ongoing Hong Kong protest<\/a>. Pro-democracy activists took to social media pushing the hashtag #BoycottMulan, which trended on Twitter worldwide.\u00a0Soon after the hashtag trended in China, Lui gave , \u201cI think it\u2019s obviously a very complicated situation and I\u2019m not an expert. I just really hope this gets resolved soon.\u201d When further questioned, her rehearsed answer was, \u201cI think it\u2019s just a very sensitive situation.\u201d<\/p>\n The actions of Mulan’s star are not the only downfall for the movie. Since 2017, more than 1 million Uyghur Muslims have been placed in internment camps within the Chinese autonomous region of Xinjiang. The government denied the existence of these camps, “but after images of camp construction with watchtowers and barbed wire fences emerged, the government acknowledged what they called ‘re-education centers’ for Uighurs.<\/a>” Many who were detained say they were interrogated and beaten because of their religion.\u00a0of forced labor and ethnic cleansing have emerged.\u00a0H&M<\/a>\u00a0recently cut ties with suppliers in Xinjiang because of these finds. Still, Disney filmed parts of the movie in the region and thanked the “Publicity Department of CPC Xinjian Uyghur Autonomous Region Committee” in the ending credits. Disney’s Head of Finance Christine McCarthy responded to the controversy by\u00a0stating<\/a>, “The real facts are that Mulan was primarily shot \u2014 almost in entirety \u2014 in New Zealand.” In an effort to accurately depict some of the unique landscape and geography of the country of China for this period drama, we filmed scenery in 20 different locations in China. It’s common knowledge that, in order to film in China, you have to be granted permission. That permission comes from the central government.” So, in our credits, it recognized both China and locations in New Zealand. I would just leave it at that, but it has generated a lot of issues for us.” To accurately represent the culture in Mulan, of course, it had to be filmed in China. However, there was no need to film in Xinjian, as there are many more culturally rich, beautiful provinces in the country.<\/p>\n Thirdly, the movie, which highlights Chinese culture, was directed by a white woman. While a women director is a huge strive, the fact remains that Niki Caro is a New Zealand native. Even though Caro mentioned she would work with experts in Chinese Culture<\/a>, the movie has adopted a poor reception in China, one of the key markets for Disney. A Chinese film critic said, \u201cThe Americans invited all the famous Chinese actors they could think of and piled together all the Chinese elements that they could find to create this car crash. It\u2019s full of Western stereotypes and conjectures about China, and particularly ancient China.\u201d If Disney wanted this movie to accurately represent Chinese culture, they should have chosen a Chinese director. Now, they are facing the consequences, with Mulan projected to gross only $38.5 million in China.<\/a><\/p>\n Disney, beloved brand by all, is a perfect example of the fact that no company is safe from being canceled. The actions of Lui Yifei, the movie being filmed in Xinjiang and the movie being directed by a white woman gave off great dissonance among Disney lovers. This goes to show that companies need to take diverse audience reception into account. As professional communicators, we can use our voice to continue advocating for just practices and cultural sensitivity within our companies.<\/p>\n![\"\"](\"http:\/\/progressions.prsa.org\/wp-content\/uploads\/2020\/10\/Picture1-197x300.png\")
<\/a><\/p>\n![\"\"](\"http:\/\/progressions.prsa.org\/wp-content\/uploads\/2020\/10\/Picture1-1-298x300.png\")
<\/a><\/p>\n
\n
![\"Mauricio](\"http:\/\/progressions.prsa.org\/wp-content\/uploads\/2020\/07\/mauricio-150x150.jpeg\")
<\/a>Mauricio Lira is a senior and founding treasurer of Texas Tech University PRSSA. Mauricio is majoring in Public Relations with a minor Spanish. Currently, he is part of the 4A\u2019s Multicultural Agency Internship Program and Digital Engagement Intern at Texas Tech University.<\/p>\n","protected":false},"excerpt":{"rendered":"